“Tempting Fate” Excerpt

As promised, here is an excerpt from my story “Tempting Fate.”

Enjoy!

Ines 🙂

Max let out a long sigh. He resolved to simply walk and look, something would have to catch his attention eventually. It was impossible that in a city as full of life, history, and culture as Paris that nothing would strike him as photo-worthy. Plus, he hated wasting his efforts and to spend hours running around only to return empty-handed. Unfortunately, such was life; not every effort yielded success. Still, he wasn’t ready to give up and call it a day. Not yet. Giving up wasn’t in him. Max combed the hair that fell onto his forehead back with his fingers, put the lens cap on his camera, and wandered on.

He probably just wasn’t looking in the right places; so far he’d visited only the typical sights. But really, who needed to see these things again? They’d been photographed to death already: the Eiffel Tower, the Arc de Triomphe, the Champs ElysĂ©es— it’s been done over and over and over again. He needed something different, something off the path, something genuine and authentic. After all, he was neither a tourist nor a travel photographer, he was here for fine art.

After picking up a cappuccino and a pastry from a nearby cafe Max set out to walk the many narrow streets and alleyways that were squeezed between heavy stone buildings in search of inspiration and beauty. His efforts went unrewarded for a long while, but then he heard the faint notes of vaguely familiar music growing louder with each step. He paused to listen and as he did so he looked up to see a curtain streaming out of a window a few floors above him. It danced gracefully in the breeze, twisting one way and then the other.

Edith Piaf. That’s whose song this was. After listening long enough he finally recognized the voice. Why did it take him so long? His sister loved Piaf’s music and listened to her almost nonstop for an entire summer and fall. The notes of “Milord” brought Max back to his family home on a warm August evening a few years back. His sister had just returned from France and she brought with her a renewed appreciation for Edith Piaf’s work. Come to think of it, Max hadn’t spoken to his sister in a few weeks; he would have to call her this evening. She would surely appreciate his little anecdote about the music and she would be interested to hear about his trip.

Finally with a mood in mind and a subject by which to convey it, Max aimed his camera. He took bursts of photos and circled the base of the building to get different angles of the dancing curtain. After a few minutes he felt satisfied and moved on, leaving the melancholy voice of Edith Piaf to fade evermore into the background.

“Paris was a city of lovers.” Max heard this sentiment often, if not in films then from his younger sister. It only took a few more streets until he found proof of it himself. A young couple— they couldn’t have been older than eighteen— stood in a shallow doorway about halfway down a narrow walkway, just barely out of sight from the street where Max was walking. If it hadn’t been for his curiosity he could have easily walked past and missed them, but instead he took a couple steps down the otherwise deserted path to see where it led, paused when he saw them, and watched. He couldn’t help it. The way she wrapped her arms around his neck and grasped his hair, the way his hand slid up her thigh and pulled her skirt up in the process; it was a display of passion, of young lust pure and uncomplicated.

The boy leaned the girl back against the stone wall and pulled his mouth from hers to whisper something in her ear. She tilted her head back and closed her eyes. Her lips curved into a smile as he kissed his way from her ear to the exposed skin at the base of her neck. It was beautiful to watch and for several heartbeats Max debated whether or not it would be wrong to capture this on film. He had taken pictures of lovers before, though granted it was usually in situations and places less private than this. These two must have chosen this place deliberately to remain unseen. Still, he had to take a photo, he couldn’t let this scene go to waste. Besides, these two were so enthralled with each other that they’d never even notice Max. And on the off chance that an image of this pair did at some point make it into a museum and should Fate have it that they see it, it would be a compliment and honor rather than an embarrassment, surely. He would have to include some description to clarify why he did it, but he usually did that anyways.

Max had to move fast; he’d already wasted precious seconds with his internal debate and the last thing he wanted was for either of them to see him. There was no way of getting closer without getting caught so Max switched the lens he had on his camera for one with better zoom capabilities in order to capture small details that suggested the whole: the slight bend of her knee, the overlapping lines of her legs facing his, the small strip of exposed skin between her ankle boots and her leggings, his pale hand against her thigh, his fingertips hidden under the folds of her skirt, the necklace shining on her collarbone and visible only because her sweater hung off her shoulder, her fingers laced in his hair, the shine of her fingernails drawing attention to the dark red polish she wore. The small details captured the sensuality, the fragments implied the entire scene, the simple suggestion prompted the entire fantasy. Max shifted position and shot through the leaves of a plant that stood on a nearby windowsill to give a more voyeuristic feel and highlight the intimacy of what he was witnessing. For the final shots he zoomed out for a new perspective and positioned the couple along the right third of the frame so that the empty alleyway made up the rest of the image. There was a distinct sense of anticipation, of potential, of emptiness in the composition that Max quite liked; he tried a few vertical photos next to dwarf the couple in relation to the sturdy building and then framed them tightly within the doorway. He smiled as he worked, but despite the satisfaction he got from these photos he still felt like he was intruding— he was the voyeur he implied with the plant shots— and a handful of images later he called it quits.

Seeing the couple was beautiful and it resulted in some wonderful shots, but it unfortunately also highlighted a hole in Max’s life, a wound that he thought had healed. It’d been too long since he’d had someone to call his own, to hold, to love. Sure he met girls, went on a few dates, even took a couple home for a night, but it never went beyond that. Sometimes when he was alone in bed, staring up at the ceiling because he couldn’t sleep, his thoughts returned despite himself to memories of Kaylee.

Exciting News!

In my last posting I mentioned my idea and plan for “Kaleidoscope I” and so on. Since then I have actually composed a collection that feels complete. It contains 35 of my prose poems, freshly edited and rearranged in an order that flows nicely. Previously I’d had them all in chronological order but that was mainly for my own records to see how my writing had developed from the beginning of the year to now. I’ve been working on “Kaleidoscope I: Anything But True Love” like mad the past week because I had a deadline to meet.

The Walt Whitman Award for poetry, offered through the Academy of American Poets, was accepting submissions until October 31, 2015 for a writer’s first collection of poetry (any style, any subject, between 48-100 pages of original, unpublished work). It’s a big award with a big prize as well— there’s a monetary element, an artist’s retreat to Italy and publication of the book by Graywolf Press. I needed the push of a deadline to get me to finish my collection and I am very happy with what I entered into the competition.

Now begins the hard part: the waiting game… The winner will be announced on April 30, 2016 so if the judge likes my work and with a bit of luck I might get a nice belated birthday surprise next year.

Here’s hoping!

It’s been much too long…

I almost feel like I need to reintroduce myself since I’ve been away from here for so long. Funny enough, I had two posts in the works before now but I never got around to actually posting them. I probably will do that soon (after making some time-related edits).

Likewise I’ve actually had a little burst of satisfying creative energy recently that produced a few new prose poems that I quite like. I also came up with a new and improved plan about how I wish to go about publishing my collection of prose poems once I am satisfied with the composition.

Here’s a little glimpse into my mind and thoughts as of late:

My initial plan was to have a collection of fifty prose poems/vignettes/impressions. I started writing them in January of this year and currently have about eighty to choose from, some of which I like more than others (naturally– those ones I’m not quite happy with just need some polish or in some cases must be sanded down, buffed, and then polished, but they’ll all get there eventually). In May I had about thirty done and I decided that I wanted fifty by July 20. I was proud to reach this goal sooner than planned, but then I figured I should have more than fifty so that I can choose the best from my stock for the final planned collection.

I can’t remember exactly how I came to the word “kaleidoscope,” but I thought it would be a great title for a collection of poems so I decided to use it as mine. It’s suitable also since my poems range in topics/themes and, taken together, create an image of life in general through the various emotions or moods that they capture. Life is full of shifting patterns of light, moments that are fleeting and may never be recaptured no matter how hard someone tries. Similarly a kaleidoscope shows beautiful patterns that are (near) impossible to recreate—it’s about enjoying what someone has in the moment they have it and recognizing beauty when it presents itself rather than in hindsight.

Though I wanted to submit the collection or pitch the idea to publishers earlier this year, sometime closer to July, I didn’t. The truth is that I wasn’t entirely happy with what I had. Isn’t that often the trouble? I don’t want to offer something to someone else that I am not satisfied with completely myself. It’s not that I wasn’t proud of my work, but I knew it could be better. Truth is the collection as it was felt a little messy– I was trying to cover too much and it made it feel disjointed rather than complete.

What I needed was a theme. Seems simple enough, right, elementary even? I agree. I should have perhaps had a guiding theme to start out with, but to be honest I am actually glad I didn’t have one before as it kept me from writing to an agenda; I didn’t limit myself in topic or what I wanted to or could say. I never thought to myself that what I was writing was somehow “a waste of time” just because it didn’t further my intended goal or fit into my current plan, so I just wrote and wrote and ended up with poems/vignettes that span a range of topics. True that taken all together they seem jumbled, but when I took the time to examine each one to determine what its main idea or emotion or theme is, I ended up with the seeds for several collections in one and this realization gave me an even better idea for my plan of action.

My original plan was a bit too ambitious, or rather it was too grand— or in some ways not really a plan— because it lacked clear definition. I needed to focus my goal in order to achieve it successfully. I was lucky enough to see Idina Menzel live recently and as part of her show she performed “Love for Sale” in which she sings the line “anything but true love.” I can’t explain exactly why that line stuck out to me, but it did and I am happy about that because it, in conjunction with my closer examination of my work, helped me with developing my poem collection.

I intend to keep “Kaleidoscope” as part of my title, but now I plan to call my first collection “Kaleidoscope I: Anything but True Love.” In doing this I narrowed the scope of my work to the theme of love and relationships while keeping the option open to have subsequent collections for other themes. Likewise, my original idea to have my poems cover a wide variety of emotions and situations in life is still intact when taking the entirety of my proposed series together. While I do not know yet which themes exactly I will use for “Kaleidoscope II” and “Kaleidoscope III” (and so on if I can manage to keep it going), I am excited at the prospect and am sure I will come up with something. Until then I will perfect my first part and hopefully it will be met with some success. I can’t wait to announce that it is officially in the works and on its way to publication. The day I get a publication date will be a day to celebrate indeed.

Speak

I wrote this prose poem/impression a week or so ago. This was inspired by a few lines from a Daughter song (again) called “Candles.”

I’ll do whatever you say to me in the dark

Well I’ll never be a lover
I only bring the heat
Company under cover
Filling space in your sheets, in your sheets

Below is the piece I wrote called “Speak.” This is the whole thing.

Speak

Your vocabulary is infinite. The words you need are always at your fingertips, ready to generate the desired response. Who taught you this skill? Where did you ever find the time to perfect it to such a degree that no one can resist you?

Speak the words softly to make my body yield to your touch, to coax my lips to let you in. Use the darkness as your cover, a blanket that keeps us safe. Will it protect us, though, will it really? Will we survive the night and live when the morning breaks or will the light dissolve our skin so that we shrivel and crumble like vampires in the sun?

Speak with confidence when I’m in your company. Claim me as yours in a way that makes me a prize but not a possession. Give me just enough power to leave me feeling satisfied rather than dominated.

It’s beautiful how you can turn a phrase. But it’s horrifying how well you manipulate language to your ends. Your charisma shines like the sun, bathing everything in your light and warming everyone within reach. Too much exposure though will lead to being burnt.

Do you recognize me as flesh and bone when I’m beside you? Tell me. How about when I lay naked on my side, my hand on your bare stomach as it rises and falls with each breath? Or when your smell is all that fills my nostrils? Am I a person then or do you see me simply as a placeholder filling space in your sheets— like air— an empty presence meant to be replaced, something present without really being present, emptiness that exists somehow, a space reserved for something— someone— else?

Speak to me.

Let me hear your voice, your eloquent words, the cadence of your speech, the exaltation that is my name when you give it life. Speak to me so I can be lulled to sleep, to unconsciousness, to nonexistence. Hypnotize me so that I experience only what you wish me to. Make me yours in ways no one else has ever been. I will be anything you want— my actions aren’t my own when you write the script— I’m at your mercy. You make me an empty vessel, helpless yet somehow content to be of some use, entirely willing to become something else, something new.

Speak to me with passion in your voice, longing in your eyes, urgency in your touch. Make me feel these things also. Teach me how to always know what to say. Is it satisfying not to have to struggle? Do you feel accomplished winning without ever needing to fight?

Maybe if I stay with you enough I’ll learn your craft, use it to my advantage. But then where would we be? Is it possible for two people to get exactly what they want? I don’t think it is, but  we could try. Prove me otherwise, you’re always right anyway.

Hope you enjoyed. Ciao!

~Ines

The Clothes She Wears

Flash fiction anybody? I’ve been listening to Daughter a lot; my friend introduced me to their music recently (thanks!). These lines from “Landfill” really stuck out to me:

Then leave me in the rain Wait until my clothes cling to my frame

The whole song is great, but for some reason I couldn’t get that particular image out of my head. So (and as it is currently raining), I felt it apt to do something with it. Correction: I needed to do something with it. And I did. Here is my piece of flash fiction (yes, this is all of it):

The Clothes She Wears (July 18, 2015) The baggy clothes are useless now that he’d left her waiting outside long enough for the rain to plaster the fabric to her skin. She may as well have been standing there naked as she did that night all those months ago. Unfortunately he looks at her differently now. She knows all the conflicting thoughts that are speeding through his mind this very moment as his eyes bounce back up to find hers. Each one of them flashed through her mind also.

His lips part and she wonders if the image of her as she is now will be her ticket back into his life or the very thing that confirms her banishment.

(Fair warning: most of the things I write are not particularly happy. I don’t set out with the intent to write sad pieces, it just happens that way. Hope you enjoy nonetheless.) Cheers! ~Ines

Excerpt 1: Autumn Leaves

Here is the first sample of my written work. I am compiling a collection of prose poems at the moment; my goal is 50 successful pieces and I now have almost 60 to choose from. As the title of this post suggests, this excerpt comes from a piece I’ve written that was inspired by the song “Autumn Leaves” by Edith Piaf– a beautiful song. If you haven’t heard it I suggest you check it out.

Enjoy and thank you all for your lovely support so far!

“… I watch the red and golden leaves drift by my window. They dance and twirl on the breeze, ignorant of their fall or indifferent to it. If only you’d have let me down this easily too. I fell like a stone when you let me go, like a stone dropped into the clear, still waters of a lake. I passed from one consciousness to another, falling at two different paces, through two different realities, to face two very different fears. …”

I welcome any and all feedback. I recognize it is hard to give constructive critique on only a small piece of a prose poem, but if you have something to share, please do.

Ciao,

~Ines

The time is NOW!

Hi there anyone and everyone (or no one..?)!

Welcome to my blog and thanks for stopping by. Props to you, you’ve found my first post, yay! 🙂

Hopefully as time goes on you’ll find more interesting stuff here than a simple intro, but as this is the beginning I reserve the right to take a little time to figure things out and introduce myself. So, without further ado, here goes!

I’m Ines and I am an aspiring writer– surprise! I’ve thought about starting a blog for a while now but somehow never got around to actually taking any action. I think it is time for that to stop (hence the title of this post and hence this introduction).

My plan is to share my own creative writing and also have moments of what I will call “musings” about something that is on my mind. In a way I will use my blog to “think in ink” (or maybe “think in pixels” would be more appropriate?) and to capture moments or ideas as they come. I will try not to rant about anything– no real good ever comes out of that, does it? However if I find something that I am skeptical or weary of or something that rubs me the wrong way I won’t hesitate to make some sort of note. That being said, I do not intend to focus on that, just be prepared for the occasional critical post.

Who knows, maybe something I post will catch your attention, spark a conversation or otherwise inspire you. I think that is what I really hope to do– inspire. What better thing in life is there than to inspire others to do something they enjoy or to finally take that step they’ve been thinking about but have been too afraid to make on their own? My own work is inspired/informed by the work of others– writers, musicians, artists of any kind– so I hope some of my work can achieve the same effect and response.

But enough for now. I am sure I could go on and on, but that is really not necessary, is it? I would like my subsequent posts to stand on their own and when important or interesting things come up I will post something anyway. No need to say everything all at once, right?

Anywhoo, thanks again for stopping by and hope you’ll stick around and visit again!

Ciao,

Ines